{"id":563,"date":"2018-03-13T21:27:34","date_gmt":"2018-03-13T21:27:34","guid":{"rendered":"http:\/\/www.stanwoodard.net\/studio\/?page_id=563"},"modified":"2018-03-18T22:19:20","modified_gmt":"2018-03-18T22:19:20","slug":"atlanta-zombie-symposium","status":"publish","type":"page","link":"http:\/\/www.stanwoodard.net\/studio\/atlanta-zombie-symposium\/","title":{"rendered":"Atlanta Zombie Symposium"},"content":{"rendered":"<p>&nbsp;<\/p>\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\n<tbody>\n<tr>\n<td align=\"center\" width=\"872\">\n<table border=\"0\" width=\"870\" cellspacing=\"2\" cellpadding=\"5\">\n<tbody>\n<tr bgcolor=\"#FFFFFF\">\n<td colspan=\"2\" align=\"center\" bgcolor=\"#FCEEAF\">&nbsp;<\/p>\n<table border=\"0\" width=\"800\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td colspan=\"2\" align=\"center\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"567\" data-permalink=\"http:\/\/www.stanwoodard.net\/studio\/atlanta-zombie-symposium\/card1\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.stanwoodard.net\/studio\/wp-content\/uploads\/2018\/03\/card1.jpg?fit=800%2C618\" data-orig-size=\"800,618\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"card[1]\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.stanwoodard.net\/studio\/wp-content\/uploads\/2018\/03\/card1.jpg?fit=300%2C232\" data-large-file=\"https:\/\/i0.wp.com\/www.stanwoodard.net\/studio\/wp-content\/uploads\/2018\/03\/card1.jpg?fit=525%2C406\" class=\"alignnone size-full wp-image-567\" title=\"Atlanta Zombie Symposium, 2009\" src=\"https:\/\/i0.wp.com\/www.stanwoodard.net\/studio\/wp-content\/uploads\/2018\/03\/card1.jpg?resize=525%2C406\" alt=\"Atlanta Zombie Symposium, 2009\" width=\"525\" height=\"406\" srcset=\"https:\/\/i0.wp.com\/www.stanwoodard.net\/studio\/wp-content\/uploads\/2018\/03\/card1.jpg?w=800 800w, https:\/\/i0.wp.com\/www.stanwoodard.net\/studio\/wp-content\/uploads\/2018\/03\/card1.jpg?resize=300%2C232 300w, https:\/\/i0.wp.com\/www.stanwoodard.net\/studio\/wp-content\/uploads\/2018\/03\/card1.jpg?resize=768%2C593 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">&nbsp;<a href=\"\/studio\/atlanta-zombie-symposium-panel\">Streaming video of the complete AZS panel discussion&nbsp; &nbsp; &nbsp;&nbsp;<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"572\" data-permalink=\"http:\/\/www.stanwoodard.net\/studio\/atlanta-zombie-symposium-panel\/dscn03121\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.stanwoodard.net\/studio\/wp-content\/uploads\/2018\/03\/DSCN03121.jpg?fit=450%2C337\" data-orig-size=\"450,337\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSCN0312[1]\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.stanwoodard.net\/studio\/wp-content\/uploads\/2018\/03\/DSCN03121.jpg?fit=300%2C225\" data-large-file=\"https:\/\/i0.wp.com\/www.stanwoodard.net\/studio\/wp-content\/uploads\/2018\/03\/DSCN03121.jpg?fit=450%2C337\" class=\"alignnone wp-image-572\" src=\"https:\/\/i0.wp.com\/www.stanwoodard.net\/studio\/wp-content\/uploads\/2018\/03\/DSCN03121.jpg?resize=42%2C31\" alt=\"\" width=\"42\" height=\"31\" srcset=\"https:\/\/i0.wp.com\/www.stanwoodard.net\/studio\/wp-content\/uploads\/2018\/03\/DSCN03121.jpg?resize=300%2C225 300w, https:\/\/i0.wp.com\/www.stanwoodard.net\/studio\/wp-content\/uploads\/2018\/03\/DSCN03121.jpg?w=450 450w\" sizes=\"auto, (max-width: 42px) 100vw, 42px\" \/><\/a><\/p>\n<p>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"50%\">\n<h2>Pictures from the AZS<\/h2>\n<p>&nbsp;<\/td>\n<td align=\"right\" width=\"50%\">&nbsp;<\/p>\n<h2>AZS in the Media!<\/h2>\n<p>&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" bgcolor=\"#FFFFCC\"><strong>PLAYING &#8212;<em> It begins<\/em> from<em> Tonight<br \/>\nof the Living Dead<\/em> by 400 Lonely Things<\/strong><br \/>\n<object id=\"audioplayer5\" data=\"http:\/\/www.stanwoodard.com\/audio\/player.swf\" type=\"application\/x-shockwave-flash\" width=\"200\" height=\"24\"><param name=\"movie\" value=\"http:\/\/www.stanwoodard.com\/audio\/player.swf\"><param name=\"FlashVars\" value=\"playerID=audioplayer1&amp;soundFile=\/art\/zombie\/multimedia\/totld_01_It_Begins.mp3\"><param name=\"quality\" value=\"high\"><param name=\"menu\" value=\"false\"><param name=\"wmode\" value=\"transparent\"><\/object>A dark-ambient instrumental remix project over a year in the making,<br \/>\nusing treated dialogue-free audio from the 1968 version of <strong><em>Night<br \/>\nof the Living Dead<\/em><\/strong> as its only ingredients, and is accompanied<br \/>\nby a 12-page booklet of photo treatments adapted from the movie as<br \/>\nwell.&nbsp; <a href=\"http:\/\/400lonelythings.com\" target=\"_blank\" rel=\"noopener\"><span class=\"smaller\">MORE<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" bgcolor=\"#FFFFFF\" width=\"439\">\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"3\">\n<tbody>\n<tr>\n<td class=\"larger\" colspan=\"2\"><strong>Atlanta Zombie Symposium<br \/>\nSeptember 12, 2009 <\/strong><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><img loading=\"lazy\" decoding=\"async\" src=\"images\/zonbi_200.jpg\" alt=\"Zonbi, Wilson Biguad, 1953 -- Born in Port-au-Prince, Bigaud was discovered by Hector Hyppolite, who brought him to Le Centre d'Art in 1946. During his career, Bigaud has seen much political upheaval in Haiti. In the late 1950s, his expressions turned toward violent feelings and his world was transformed into a demonic place, resulting in an emotional collapse and several nervous breakdowns between 1957 and 1961. His painting, Zombies deals with the religious fraternities known as secret societies. Today, some function as strictly religious organizations; others are used as fronts for illegal activities. For a long period, Haiti lacked the infrastructure to be truly governable from its capital city, Port-au-Prince. So, before Duvalier instituted the system of section chiefs, the countryside was in effect governed by vodou secret societies that controlled the rituals of zombification. The zonbi is characterized as lifeless because of a nerve toxin that may have been administered by members of the secret society. This would have been done clandestinely to destructive or overly offensive members of the community (usually in rural areas) as part of a mock death sentence followed by a real funeral. Later, members of the secret society would break open the grave of the 'dead' person, resuscitate him or her, and banish them from the area. Sometimes brain damage would result from either the toxin or the lack of oxygen during entombment. The zonbi character is central to Haitian folklore. It articulates a memory of the loss of control over self suffered during the period of slavery--a very real cultural event in Haitian history. In Bigaud's painting the zonbi has further reference to the physical labor of slaves on Haitian plantations. The zonbi-slave is forced to do mindless labor on a plantation owned by a tyrant-sorcerer. He is led around on a leash, chained at night, and beaten when he does not respond quickly enough. \" width=\"200\" height=\"220\"><br \/>\n<em>Zonbi<\/em>, Wilson Bigaud, 1953<br \/>\n<a href=\"http:\/\/thefigge.org\/SiteDefault.aspx?nt=16&amp;PageID=132\" target=\"_blank\" rel=\"noopener\">Figge<br \/>\nArt Museum<\/a><\/td>\n<td><strong><em>The idea of the Zombie<\/em><\/strong> long predates<br \/>\nthat of the bloodthirsty undead that populated horror films since<br \/>\nthe 1960s. The original zombies were drugged victims under the<br \/>\ncontrol of certain powerful spiritual practitioners. Zombification<br \/>\nmay have been used as punishment for certain crimes. Lately,<br \/>\nthe word \u201czombie\u201d has found a place in diverse discussions, in<br \/>\ndisciplines such as economics, computer science, and entomology,<br \/>\namong others<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\"><strong>The Atlanta Zombie Symposium<\/strong> includes<br \/>\na panel discussion, entitled <em>The Zombie Perceived: Religion,<br \/>\nMedia, and Society<\/em>; a double feature film screening of <em>Night<br \/>\nof the Living Dead<\/em> and <em>Return of the Living Dead<\/em>,<br \/>\ndirected by Dan O\u2019Bannon; and <em> Dance of the Undead<\/em>,<br \/>\na dance party with Zombie Transformation Chamber. Area partners<br \/>\nwill participate through presenting other interpretations of<br \/>\nthe idea of the \u201czombie\u201d.<\/p>\n<hr>\n<p>1 \u2013 3:45 PM, Panel Discussion <em><strong>The Zombie Perceived:<br \/>\nReligion, Media, and Society<\/strong><\/em>, Dr. Dianne Stewart,<br \/>\nEmory University; Dr. Andrea Wood, Georgia Institute of Technology<br \/>\nLaszlo Xalieri. Moderated by Stan Woodard.<br \/>\nClary Theater, Bill Moore Student Success Center, 225 North Avenue,<br \/>\nNE, Georgia Institute of Technology. <span class=\"smaller\">FREE<br \/>\n(SEATING IS LIMITED, ARRIVE EARLY!)<\/span><\/p>\n<p>5 \u2013 9 PM Films <em><strong>Night of the Living Dead<\/strong><\/em><strong>,<br \/>\n(1968) directed by George Romero + <em>Return of the Living Dead<\/em> (1985),<br \/>\ndirected by Dan O&#8217;Bannon<\/strong>, A rare opportunity to see<br \/>\nGeorge Romero\u2019s classic on the Big Screen, followed by Dan O\u2019Bannon\u2019s<br \/>\nhilarious send up of the zombie scenario.<br \/>\nPlaza Theater, 1049 Ponce De Leon Ave. <span class=\"smaller\">$9<br \/>\nfor one, $12 for both<\/span><\/p>\n<p>10 PM \u2013 2 AM, <strong><em>Dance of the Undead<\/em><\/strong>,<br \/>\nIncluding the Zombie Transformation Chamber.<br \/>\nGraveyard Tavern, 1245 Glenwood Ave., East Atlanta Village <span class=\"smaller\">$2<\/span><\/p>\n<p class=\"larger\"><strong>MAP<em> <a href=\"images\/card_back.jpg\" target=\"_blank\" rel=\"noopener\">JPG<\/a> &nbsp; <a href=\"pdf\/map_card.pdf\">PDF<\/a><\/em><\/strong><\/p>\n<p>The Atlanta Zombie Symposium is created and organized by Stan<br \/>\nWoodard, with participation from the School of Literature, Communication,<br \/>\nand Culture, Georgia Institute of Technology, Gorehound Productions,<br \/>\nand Public Domain, Inc. This program is funded through the generous<br \/>\nsupport of Robert Brawner, Gene Hooff, Louis Corrigan, Hormuz<br \/>\nMinina Louise Shaw, and Deborah Ryan.<\/p>\n<p>Additional funds are sought, contact <a href=\"mailto:stan@stanwoodard.com\">Stan<br \/>\nWoodard<\/a> to donate. <span class=\"note\">(Your donation is tax<br \/>\ndeductible. Consult your tax advisor for details.)<\/span><\/p>\n<p><a href=\"pdf\/AtlZombieSymposium_PR_v4.pdf\">Press Release<\/a><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" bgcolor=\"#FFFFCC\">IN CONJUNCTION WITH THE ATLANTA<br \/>\nZOMBIE SYMPOSIUM<strong>CALL FOR SUBMISSIONS<\/strong><br \/>\n<a href=\"http:\/\/stanwoodard.com\/pdf\/perf_32_zombie_call_3.pdf\"><strong> The<br \/>\nonline journal PERFORATIONS announces the call for issue 32: <em>ZOMBIE!<\/em><\/strong><\/a> (PDF)<strong><a href=\"http:\/\/leflash-atlanta.com\/\" target=\"_blank\" rel=\"noopener\">Le<br \/>\nFlash, October 2<\/a><br \/>\n<em>We Are Survival Machines<\/em>, Carl Di Salvo and David Holstius<\/strong><br \/>\nCurated by Louise Shaw in association with The Zombie Symposium.<br \/>\n&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<td valign=\"top\" bgcolor=\"#FF9900\" width=\"405\">\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"3\">\n<tbody>\n<tr>\n<td>\n<h3>Zombies in Vodun<br \/>\nAccording to the tenets of Vodun (voodoo), a dead person can be<br \/>\nrevived by a houngan or mambo. After resurrection, it has no<br \/>\nwill of its own, but remains under the control of the person<br \/>\nwho performed the ritual. Such resurrected dead are &#8220;zombies&#8221;.<\/h3>\n<p><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Zombie\" target=\"_blank\" rel=\"noopener\"> Zombie,<br \/>\nFrom Wikipedia<\/a><\/strong><\/p>\n<h1 class=\"firstHeading\"><a href=\"http:\/\/www.time.com\/time\/magazine\/article\/0,9171,952208,00.html\" target=\"_blank\" rel=\"noopener\"><strong>Bernard<br \/>\nDiederich;Claudia Wallis, &#8220;Zombies: Do They Exist?&#8221; <em>Time<br \/>\nMagazine<\/em>, Monday 17 October 1983<\/strong><\/a><\/h1>\n<p><strong><a href=\"http:\/\/www.associatedcontent.com\/article\/675659\/the_truth_about_voodoo_zombies.html?cat=40\" target=\"_blank\" rel=\"noopener\">Timothy<br \/>\nSexton, &#8220;The Truth About Voodoo Zombies&#8221;, <em>AssociatedContent.com<\/em>,<br \/>\nMarch 27, 2008<\/a><\/strong><\/td>\n<\/tr>\n<tr>\n<td bgcolor=\"#CC99FF\"><strong><a href=\"http:\/\/www.h-online.com\/security\/DDoS-attacks-with-zombie-computers-North-Korea-s-powerful-hacker-army--\/news\/113736\" target=\"_blank\" rel=\"noopener\">&#8220;DDoS<br \/>\nattacks with zombie computers \u2013 &#8216;North Korea&#8217;s powerful hacker<br \/>\narmy&#8217;?&#8221;<br \/>\nThe H Online, July 10, 2009<\/a><\/strong><strong><a href=\"http:\/\/www.pcpro.co.uk\/news\/262111\/korean-cyber-attacks-traced-back-to-uk.html\" target=\"_blank\" rel=\"noopener\">Nicole<br \/>\nKobie, &#8220;Korean cyber attacks traced back to UK&#8221;, <em>PC<br \/>\nPro<\/em>, 15th July 2009<\/a><\/strong><\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Have you heard of the new book, &#8220;<a href=\"http:\/\/en.wikipedia.org\/wiki\/Pride_and_Prejudice_and_Zombies\" target=\"_blank\" rel=\"noopener\">Pride<br \/>\nand Prejudice and Zombies<\/a>: The Classic Regency Romance &#8211;<br \/>\nNow with Ultraviolent Zombie Mayhem!&#8221;? someone added zombies<br \/>\nto Jane Austen&#8221; novel. <\/strong><\/p>\n<p><strong> Some possibly suggested reading, from <a href=\"http:\/\/jonciliberto.com\" target=\"_blank\" rel=\"noopener\">Jon<br \/>\nCiliberto<\/a><\/strong><\/p>\n<p>I am sure you are familiar with this one:<\/p>\n<p><a href=\"http:\/\/www.worldcat.org\/oclc\/70258815&amp;referer=brief_results\" target=\"_blank\" rel=\"noopener\">http:\/\/www.worldcat.org\/oclc\/70258815&amp;referer=brief_results<\/a><\/p>\n<p>It is in the same series with The Philosophy of the Simpsons, The<br \/>\nPhilosophy of the Matrix, etc., all popular culture oriented tomes<br \/>\nof light-academic work (I guess in some cases less light than others).<\/p>\n<p>The other book I browsed was a lot more heavy:<\/p>\n<p><a href=\"http:\/\/www.worldcat.org\/oclc\/218880885&amp;referer=brief_results\" target=\"_blank\" rel=\"noopener\">http:\/\/www.worldcat.org\/oclc\/218880885&amp;referer=brief_results<\/a><\/p>\n<p>There is quite a bit of work in philosophy dealing with consciousness<br \/>\nand zombie states&#8230; the &#8216;philosophical zombie&#8217;. This guy<br \/>\nin particular has written on the subject:<\/p>\n<p><a href=\"http:\/\/consc.net\/chalmers\/\" target=\"_blank\" rel=\"noopener\">http:\/\/consc.net\/chalmers\/<\/a><\/p>\n<p>There is a link on his page which leads to lots of academic zombie<br \/>\nstuff.<\/p>\n<p>Probably you already know about all this. . .<\/p>\n<p>I got the impression that your thing is more about cultural issues<br \/>\nin the uprise in zombie interest in film (and other media) at the<br \/>\nend of the twentieth c.?<\/p>\n<p>And, an interesting link relating Easter Island to Zombies:<\/p>\n<p><a href=\"http:\/\/www.archaeology.org\/online\/interviews\/zombies\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.archaeology.org\/online\/interviews\/zombies\/<\/a><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" valign=\"top\" bgcolor=\"#FF9900\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" bgcolor=\"#CCCCCC\"><strong>Jewel Wasps zombify cockroaches to reproduce<\/strong><br \/>\n<object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/qN2XMyxAs5o&amp;hl=en&amp;fs=1&amp;\"><param name=\"allowFullScreen\" value=\"true\"><param name=\"allowscriptaccess\" value=\"always\"><\/object><strong><em>White Zombie<\/em><\/strong> A young man turns to a witch<br \/>\ndoctor to lure the woman he loves<br \/>\naway from her fiance, but instead turns her into a zombie slave.<br \/>\n<strong>Zombie Fire Ants<\/strong><br \/>\n<object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/tZm2FwdHlJY&amp;hl=en&amp;fs=1&amp;\"><param name=\"allowFullScreen\" value=\"true\"><param name=\"allowscriptaccess\" value=\"always\"><\/object>&nbsp;<\/td>\n<td valign=\"top\" bgcolor=\"#CCCCCC\"><strong>Fungus Makes Zombie Ants Do All the Work<\/strong><a href=\"http:\/\/tinyurl.com\/nmo8nh\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"images\/zombieAnts.jpg\" alt=\"Fungus Makes Zombie Ants Do All the Work\" width=\"425\" height=\"344\" border=\"0\"><\/a><\/p>\n<p><strong>Jack Jeans Zombie Jamboree &#8211; French pop take on the classic<br \/>\nsong<\/strong><br \/>\n<object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/_bNy2jA26Cg&amp;hl=en&amp;fs=1&amp;\"><param name=\"allowFullScreen\" value=\"true\"><param name=\"allowscriptaccess\" value=\"always\"><\/object><\/p>\n<p><strong>Zombie Snails<\/strong><\/p>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/EWB_COSUXMw&amp;hl=en&amp;fs=1&amp;\"><param name=\"allowFullScreen\" value=\"true\"><param name=\"allowscriptaccess\" value=\"always\"><\/object><\/p>\n<p><strong>Construction sign warns of zombies<\/strong><br \/>\n<object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/oTzfXYF6BPg&amp;hl=en&amp;fs=1&amp;\"><param name=\"allowFullScreen\" value=\"true\"><param name=\"allowscriptaccess\" value=\"always\"><\/object><\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" bgcolor=\"#CCCCCC\">&nbsp;<\/td>\n<td valign=\"top\" bgcolor=\"#CCCCCC\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp;Streaming video of the complete AZS panel discussion&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; Pictures from the AZS &nbsp; &nbsp; AZS in the Media! &nbsp; &nbsp; &nbsp; PLAYING &#8212; It begins from Tonight of the Living Dead by 400 Lonely Things A dark-ambient instrumental remix project over a year in the making, using treated dialogue-free audio &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.stanwoodard.net\/studio\/atlanta-zombie-symposium\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Atlanta Zombie Symposium&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-563","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6X9eT-95","jetpack-related-posts":[],"_links":{"self":[{"href":"http:\/\/www.stanwoodard.net\/studio\/wp-json\/wp\/v2\/pages\/563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.stanwoodard.net\/studio\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.stanwoodard.net\/studio\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.stanwoodard.net\/studio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.stanwoodard.net\/studio\/wp-json\/wp\/v2\/comments?post=563"}],"version-history":[{"count":10,"href":"http:\/\/www.stanwoodard.net\/studio\/wp-json\/wp\/v2\/pages\/563\/revisions"}],"predecessor-version":[{"id":706,"href":"http:\/\/www.stanwoodard.net\/studio\/wp-json\/wp\/v2\/pages\/563\/revisions\/706"}],"wp:attachment":[{"href":"http:\/\/www.stanwoodard.net\/studio\/wp-json\/wp\/v2\/media?parent=563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}